In KONTAKT's header bar, click the Workspace icon and tick Outputs to show the Outputs section.To route an Instrument to another output of your audio interface, do the following: Once the audio interface driver is selected, the loaded KONTAKT Instruments will automatically be routed to your audio interface's first available stereo output. We will use the Komplete Audio 6 driver as an example here:Ĭonfiguring the Instrument's Output Channel In the Audio Tab of the Options dialog, select your audio interface from the Device drop-down menu.In KONTAKT's Main Control Panel, click the Options icon to open the Options dialog.Note: In case you are using KONTAKT as a plug-in in your DAW, the audio settings are being managed in the DAW's preferences. This includes selecting your audio interface's driver and configuring the output routing of loaded KONTAKT Instruments. There is no right or wrong way to listen, but if you want to improve your understanding of flamenco music then you need to decide that you are going to pay attention.This article explains how to configure your audio settings in the standalone version of KONTAKT. If you took the music away would the dancer's movements seem as powerful mournful, musical?ĭo you have anything that you would add to this list? Will you decide to spend some time building your understanding of a piece of flamenco music today? If there is a dancer, how do the musicians and dancer work together to create the soundscape you are listening to? Which parts are strengthened by the guitarist and which are left to breathe? Once you've listened to individual elements Try listening to your piece of music as a whole. How does the cante make you feel when you hear it? How many compás are there in one letra? Can you count them? How does the structure of the letra compare with the compás? How are the dynamics of the letra (verse)?ĭoes the singer stretch any phrases of the verse? There are many avenues for focused listening to cante. Percussion - Can you hear the guitar being used as a percussive instrument as well as a string instrument? Texture - how many layers of sound do you hear? Is there only one guitarist or more? Pitch - are the notes played mostly high or low, or both? Melody - the arrangement of notes played to create a phrase of music, how many different melodies can you recognise?ĭynamic - referring to the rise and fall in volume of the guitar, how do the dynamics change through out the piece. Once you recognise (or not) the compás you can focus your attention on the guitar. Try to focus on the rhythm and see if you can connect to it somehow with your body. For some flamenco music that you listen to the compás will be obvious but for other pieces not so much. 'Compás' refers to the shape (and speed) of the rhythmic cycle and is unique to each palo. If you're not sure of the palo, how would you describe the mood of the piece? Does listening to it trigger any of your five senses? Do you like what you are listening to? 2. Some examples of different palos are Fandango de Huelva, Tangos, Soleá, Alegrías. It is always a good idea to put what you are listening to in to the context of a palo. 'Palo' refers to the style or form of cante, toque and baile. This list is not exhaustive, as always we want to offer you are starting point for your own explorations. The following are five ideas about what you could think about when you are doing some active listening practice. You need to be engaged and interact with what ever music you are listening to.Īctive listening is a skill that can be learnt and like any skill to become good at it you need to practice. In this case listening is not the primary activity.Īctive listening is listening to music with focus and intensity without distraction. Have music on in the background while you cook or clean or take the bus. Passive listening is what we do when we listen to something without really paying it much attention. Do you know the difference between active listening and passive listening?
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